Theories of citizenship have relied both explicitly and implicitly on the concept of "standing." This article challenges "standing" as a metaphor of citizenship by contrasting it with that of "injury." Examining Claudia Rankine’s Citizen elucidates a poetics of citizenship that both calls attention to what prevents many black citizens in the United States from standing and provides a basis for alternative practices of citizenship. Refusing a politics of ressentiment often tied to identification of social injury, Citizen prefigures a transformed citizenship of tarrying, listening, and transformative interruption of the racialized status quo.